thriller

Fidget

FADE IN: INT. THE FLAT – NIGHT. Assuming the POV of a tiny astronaut, we glide through the front door’s letterbox and []

Burn – Part 6

INT. THE ROOM – TIME UNKOWN We watch Frank’s reaction to the beating we hear Mickey is taking. We see the conflict. We see the horror. We see that Mickey means something to this man. But his brother…is his brother. Slowly as we pull out still focused on Frank WE HEAR Johnny tiring and slowing down. FRANK Johnny? Johnny swings again. FRANK (CONT’D) (Shouting) JOHNNY! Johnny stops and we now cut to another angle that shows Johnny exhausted and bloody standing over []

Burn – Part 4

INT. FIONA’S APARTMENT – NIGHT. INSPECTOR TENNENT Can’t sleep. He stands by the window staring out into the darkness at the street below, at two drunks squaring up to each other. He’s mid forties clean shaven and athletic, stripped to the waist showing the scar of some long passed encounter with a street kids blade – It itches but the drunken play taking place on the street below bothers him more than his scar tonight. Behind him lying face down on the bed []

Burn – Part 3

INT. THE COTTAGE – NIGHT The cottage is your mid somerset new age setup. Dream catchers, hand carved African statues, Persian rugs and a Gustav Klimt print or two. The kitchen is a big open plan affair – Sink, dishwasher fridge at one end, big iron Arger at the other. Giant Dining table in the middle. WE HEAR a disturbance outside. Chickens cry out. The growl of a Fox. We calmly glide out of the kitchen into the moonlit garden and towards []

BURN – Part 2

EXT.  OUTSIDE THE CLUB – MIDDAY A busy mid morning street in the old financial centre of the city – old Victorian and Georgian buildings jostle for breath between the new upstarts of glass and steel. The engine growl of a large black Bentley hastily pulls up nearly knocking over an unwary pedestrian. Out of the car steps two men. Johnny runs around the car by the time that Frank is out of the drivers side, Johnny is physically reassuring him. JOHNNY []

RU IN

  INT. HOME, DOWNSTAIRS – MORNING We begin in the lounge. It’s dark and barely dawn. The family home is all quiet. []

Burn – Part 1

INT. THE ROOM – TIME UNKNOWN Through swollen bloody eyes MICKEY comes to. He looks around himself to see he’s strapped to []